Hyperrealistic Photograph Of A Monumental Public Sculpture In The Style Of A Large Scale Floral Topiary With The Camera Pulled Back To Show The Full Figure Against The Museum Facade And The Face Rendered In Clear Detail In The Upper Third Of The Frame, Bottom Up (upskirt), A Colossal Seated Woman Rendered Entirely In Living Flowers And Foliage Over A Hidden Steel Armature And Standing More Than Metres Tall With Her Knees Drawn Up And Her Arms Wrapped Loosely Around Them And Her Head Tilted Slightly To One Side And Her Shoulders Rounded Forward In A Posture Of Open Welcome AI Porn

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Hyperrealistic photograph of a monumental public sculpture in the style of a large scale floral topiary with the camera pulled back to show the full figure against the museum facade and the face rendered in clear detail in the upper third of the frame, a colossal seated woman rendered entirely in living flowers and foliage over a hidden steel armature and standing more than metres tall with her knees drawn up and her arms wrapped loosely around them and her head tilted slightly to one side and her shoulders rounded forward in a posture of open welcome, the entire surface of the sculpture covered in densely packed bedding plants with the face worked in pale cream and soft pink petunias and the cheeks in deeper rose begonias and the lips in a band of scarlet impatiens and the eyes rendered in two shallow depressions filled with dark violet pansies and the brows suggested by a line of marigolds in deep orange and the hair rendered in a cascade of trailing ivy and ivy geraniums in mixed green and the whole mass of it spilling down over her shoulders and back in long falls of foliage, the torso covered in alternating bands of yellow and orange marigolds with white alyssum worked through as highlights and the arms wrapped in a of trailing lobelia in deep blue and the thighs covered in a dense carpet of purple petunias and the calves in mixed verbena and the feet rendered in broad rounded leaves of hosta and the whole figure seated on a low plinth of clipped boxwood, the internal steel armature visible only at the edges where a section of the structure shows through the planting in a line of stainless steel mesh and a set of irrigation pipes running up the back of the figure and a hidden drip line feeding the whole surface and a maintenance hatch at the base of the plinth, the sculpture standing on a broad paved plaza with a shallow reflecting pool in front of it and the paving in pale granite and a row of clipped trees along the edge of the plaza and a set of steps rising behind, a large museum building rising behind the sculpture with curved titanium panels cladding the facade in overlapping sheets that catch the light in shifting silver and grey and a tall glass curtain wall at the base and the building curving away in a long sweep and the sky above clear and bright with a few clouds, hard midday sunlight striking the sculpture from the front and the flowers catching the light along every petal and the foliage casting deep shadows into the recesses of the form and the titanium panels behind reflecting the sculpture and the sky in broken silver and the whole scene in high key colour with saturated greens and yellows and pinks against the cool grey of the building, high dynamic range holding detail in both the bright flower surfaces and the deep shadow between the forms, and a palette of flower pink and marigold orange and petunia purple and foliage green and titanium silver and granite grey

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