Smoke Suspended In The Air In Bright Above The Coals And Dust Motes Drifting Slowly Through It, Hyperrealistic Historical Photograph With High Dynamic Range And High Contrast And Airbrushed Retouching And The Fine Grain Of A Large Format Negative And The Tonal Separation Of A Contact Print Made From A Glass Plate, The Second Woman Over Her On One Elbow With Her Body Stretched Along The First Woman's Side And Her Face Lowered To The Thigh Of The First Woman With Her Lips Pressed To The Skin In A Slow Unhurried Kiss And Her And Her Brows Soft And One Hand Resting Open On The First Woman's Hip Porno IA

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Hyperrealistic historical photograph with high dynamic range and high contrast and airbrushed retouching and the fine grain of a large format negative and the tonal separation of a contact print made from a glass plate, two Plains women settling down for the night inside a hide teepee with the camera pulled in close so both figures fill the majority of the composition and framing cropped at the waist so the whole scene reads within the frame and both faces rendered in fine detail in the upper third of the photograph, the first woman lying back across a folded blanket with her head resting on a rolled hide and her hair spilling loose around her and one arm folded behind her head and the other resting along her own side with the palm open and her eyes half closed and her lips parted in a soft expression and her body relaxed into the bedding, the second woman over her on one elbow with her body stretched along the first woman's side and her face lowered to the thigh of the first woman with her lips pressed to the skin in a slow unhurried kiss and her and her brows soft and one hand resting open on the first woman's hip, the second woman lifting her head a moment later with her lips still close to the skin and her eyes still lowered and the light catching the line of her cheekbone and the edge of her jaw, both women with deep brown and copper skin rendered with the tonal range of the period process and the shadows carried deep and the highlights pushed to the edge of the emulsion and the individual texture of the skin visible along the throats and the collarbones and the fine down along the jaws and the soft sheen of the skin where it catches the light, the first woman with black hair parted in the center and loose around her shoulders and a choker of dentalium shells at her throat and a beaded band at her wrist, the second woman with black hair gathered at the nape and wrapped with a strip of red trade cloth and a few strands escaping across her cheek and a pair of bone hairpipes at her ears, a length of dark wool trade blanket pulled up across the hips of the first woman and a folded cloth of pale buckskin beneath the second and a beaded belt resting on the bedding beside them and a pair of moccasins set on the ground beside the blanket, the interior of the teepee rendered in full detail with the hide walls stretched taut over the lodge poles and the seams visible where the panels are joined and the smoke flaps closed at the top and the ground covered in hides and woven mats and a fire pit at the center with the coals banked low and glowing faintly and a tripod of sticks standing over the pit and a bundle of bedding along the far wall and a bow and quiver and a shield against the lodge poles and a rack of drying meat hung along the near wall and a water skin and a wooden bowl set on a folded cloth, the light from the banked coals glowing low and warm across the interior and catching the undersides of both faces and the length of the first woman's thigh and the second woman's forearm and leaving the upper walls and the roof of the teepee in deep shadow with the transitions carried by the fall of the light and the contrasts of the print pushed hard, reflected light bouncing up from the pale hides and the mats and lifting the underside of the arms and the line of the jaw, smoke suspended in the air in bright above the coals and dust motes drifting slowly through it, the exposure held long enough to catch the movement of the smoke and the stillness of the two figures settling into sleep, and a palette of warm sepia and deep umber and bone white and hide tan and coal black

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