The Pose Held In Classical Contrapposto With The Hips Turned And The Shoulders Angled Against The Line Of The Hips And The Classical Proportions Observed Throughout With The Limbs Rendered Long And The Hands And Feet Painted With The Same Attention As The Face And The Musculature Suggested Rather Than Described So The Body Reads As Soft And Living Rather Than Anatomical, Oil Painting In The Academic Figure Study Tradition With Visible Brushwork Across The Surface And Fine Craquelure The Canvas And The Paint Built Up In Glazed Layers Over A Warm Amber Ground, Warm Flesh Tones Built Up From An Amber Underpainting And Modulated With Cooler Greys In The Half Tones And Warmer Ochres In The Lit Areas And A Soft Pink Along The Knees And The Elbows And The Knuckles And Deep Umber In The Shadow Along The Back And Beneath The Curve Of The Hip And Behind The Knee Porno IA